Here you may enjoy memories of concerts from recent seasons, including
video insights from Chris Shepard and audio clips.
For information on upcoming concerts, please visit the Concerts page.
video insights from Chris Shepard and audio clips.
For information on upcoming concerts, please visit the Concerts page.
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CONCORA Summer Festival 2018
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2017-2018 Season: Choral Masterworks
An overflow audience responded quickly with comments:
We came all the way from Massachusetts to see you guys and let me say, well worth the trip. You guys were phenomenal. We go to concerts all the time and this was the best one we have been to! I can't wait for the next concert! Wonderful, wonderful concert!! Thank you to CONCORA! Wonderful performance - BRAVO! It was fabulous. Thank you for a lovely afternoon. I loved it! Every moment! Congratulations, one and all! It was a beautiful concert & tribute What a beautiful tribute to a wonderful person. Very happy to be a part of this. I know your voices reached to the Heavens...and that Christine was listening. 
Members of the audience wrote to share their responses to CONCORA's performance of Bach's masterpiece:
What a fantastic performance. Not only was Bach's passion performed, the passion was felt by both the magnificent performers and the audience. Bach would have been proud! What a gift you gave to so many! Incredibly beautiful concert... Musicianship at finest, could have listened even more. Will return. Thank you. It was truly a magnificent and moving performance. There were so many exquisite moments, many of which literally moved me to tears. A very emotional rendition! The voices, instrumentalists and theatre in moments were splendid. Great thanks to artistic director able to invoke such a response. 
What are those extraordinary beasts? Visit the season info page at this website to read about this and all the images of metalwork that have been used to promote CONCORA's 2017-2018 Masterworks Season.
People who attended wrote to us to say...
"What a wonderful experience: three masses (from Gregorian to modern) sung in a beautiful Gothic space." "A breathtaking performance of the three different mass settings. I have done a lot of chanting and the men were magnificent! I loved that they were in another area of the church out of sight. Thank you!" "A moving performance..." "Congratulations on a marvelous performance. The sound was magnificent. The setting was magnificent. The contrast among the three compositions was wonderfully executed. The program notes were enlightening." "I was so so so so pleased that Chris held the stillness for so long after the Martin Mass.... we all needed that long emptiness to breathe and find out if were still alive. I think everyone was rather stunned, in the best possible way." "How lovely the concert of Masses was. My view straight down the aisle was fabulous - it felt as if I was back in England. I loved the first singing from the little Chapel which, although not quite as distant as it was for others in the audience, was lovely and most affecting. The Byrd and Martin were so well done, and carried off in effortless style from the point of view of the audience. It was my first hearing of the Martin, and it was really beautiful. Somehow the music in the Resurrection section seemed to convey feathery wings bearing Christ upward - fantastic writing effectively sung! My hat is off to you and all the singers for creating such magic." |
Mozart: Requiem
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Masses Ancient and Modern
Sunday, February 11, 2018
Trinity College Chapel, Hartford, CT
CONCORA returned for a third time to Trinity College Chapel, and again the ensemble performed to a capacity audience, presenting beautiful and inspiring settings of the ancient Mass text that soared beneath the Chapel’s spectacular Gothic arches.
The program opened with timeless Gregorian chant, in a complete presentation of Missa Orbis factor, one of the most highly-regarded mass settings of the Solemnes tradition. Renaissance polyphony was represented by the four-voice setting of 16th-century Tudor composer William Byrd, music that remains fresh after more than four centuries. In his Mass for Double Choir, Swiss composer Frank Martin fuses the linear textures of Gregorian chant with highly-charged choral polyphony in a setting that is in turns contemplative, exultant, somber, and glorious.
After CONCORA’s program of early music at Trinity College Chapel in 2016, one listener said, “This is singing on a par with Pomerium and the Tallis Scholars!”
The program opened with timeless Gregorian chant, in a complete presentation of Missa Orbis factor, one of the most highly-regarded mass settings of the Solemnes tradition. Renaissance polyphony was represented by the four-voice setting of 16th-century Tudor composer William Byrd, music that remains fresh after more than four centuries. In his Mass for Double Choir, Swiss composer Frank Martin fuses the linear textures of Gregorian chant with highly-charged choral polyphony in a setting that is in turns contemplative, exultant, somber, and glorious.
After CONCORA’s program of early music at Trinity College Chapel in 2016, one listener said, “This is singing on a par with Pomerium and the Tallis Scholars!”
People who attended this concert wrote to say:
"The youth choirs were fabulous and the Mozart Requiem selection was spine chilling." "We really enjoyed the concert ... CONCORA was great and the schools were impressive, too!" Enjoy this video preview! Artistic Director Chris Shepard says: "One of the greatest joys of working with young singers is the opportunity to introduce them to new works for the first time. It reminds me of why certain works are 'masterworks' in the first place—their appeal is nearly universal, often from the very first contact." Click on the video at right to listen to the whole message (less than 3 minutes).
Listen to the men of CONCORA in their first rehearsal of "Shenandoah" arranged by Marshall Bartholomew. This brief video of the second and third verses gives a hint of what the performance on November 18 was like ... spine-tingling.
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CONCORA Sings Extraordinary Masterworks
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Where may one find this austerely beautiful candelabrum? Visit the season info page at this website to read about this and all the images of metalwork that have been used to promote CONCORA's 2017-2018 Masterworks Season.
Here's what some members of the audience had to say about this performance: "Beautiful, moving, delicate AND powerful..." "Wonderful!" "Stunning!!" "Very powerful performance!" Enjoy this video preview from CONCORA's Artistic Director Chris Shepard as he explores Brahms' musical depiction of a "journey to heaven" in the German Requiem.
Listen to CONCORA's performance of Brahms Nänie as recorded in concert on November 4, 2017, at Saint John's Episcopal Church, Stamford.
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Brahms: Requiem
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Comments from the delighted audience:
"It was a beautiful concert! Would gladly have listened to another hour of those gorgeous voices and the well-chosen repertoire." "Exquisite program...I just closed my eyes in some passages to let myself soar through these passionate renditions. The soloists were spectacular, and Chris Shepard is just sublime. This is my second CONCORA-based experience...it is easy to fall in love with such an ensemble!” “The Festival Chorus's renditions gave me goose bumps!” VIDEO FEATURE: The public concert with which the Summer Festival concludes is the most visible part of our week together. But what goes on during the rehearsals, behind the scenes? CLICK HERE to read an article about how it all works, then enjoy this video recorded during a mid-week rehearsal.
J.S. Bach, Magnificat: "Sicut locutus est" CONCORA Summer Festival Choir in rehearsal August 2, 2017 Chris Shepard, Artistic Director Allan Conway, Piano |
CONCORA Summer Festival 2017:
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2016-2017 Season: Inspired by Tradition
In its review of CONCORA's performance of this program in Worcester, Massachusetts on April 23, the Worcester Telegram described the experience as “Stunning... intoxicating... enthralling... beguiling... soaring.”
In this brief video preview, CONCORA's Artistic Director Chris Shepard explains how Bach "recycled" some of his best music in ways that you might find surprising. Did Bach do this merely for efficiency's sake? Or did Bach perhaps know that this music was indeed "first rate," as Chris describes it, and thus relished opportunities to perform it again, and perhaps ensure that it would be remembered?
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Festive Bach Cantatas!
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A member of the audience commented, "“We so enjoyed the concert! The Requiem was beautiful and the madrigals lovely. The new ’Ah, Sunflower’ was terrific - I even pictured large fields of sunflowers and a huge single one raising its head to the sun. I was impressed by how many women composers were represented. The concert was a respite ... Thank you so much - a real treat!"
Enjoy a recorded excerpt from that memorable concert!
"In remembrance" from Requiem by Eleanor Daley (b. 1955) Recorded in concert at Trinity College Chapel on March 19, 2017 by CONCORA, directed by Chris Shepard |
Making the Old New
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Those who attended this concert responded warmly:
"We enjoyed the unique and engaging way that this concert was conceived and executed. It was nothing short of inspiring!" "Magnificent from beginning to end." "Loved the settings and the small groups performing. A truly memorable experience!" |
Art & Music
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Connecticut Magazine recommended
"Christmas with CONCORA" as a top pick for "Holiday Music Performances to Get You in the Spirit of the Season!" Here's a little audio gift from CONCORA!
"We wish you a Merry Christmas" arranged by Arthur Warrell (1883-1939) Performed by CONCORA with Artistic Director Chris Shepard Recorded in concert on December 10, 2016 First Lutheran Church, New Britain |
Christmas with CONCORA:
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A member of the audience was inspired to write, “What a treat to sit and be bathed in glorious sound. The young voices were so fresh and clear and the ensemble sound quite breathtaking. The variety of musical offerings was a delight to the listener and perfectly suited to that grand space.”
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Extraordinary Shakespeare
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